portrait silouette

Looking for portraits, sketches and stills? Visit our online gallery to view artwork of celebrities, landscapes, fruit, men, women, abstract images and many others. These are perfect for the home or office, and especially to give as a gift during the holidays or birthdays. Find here

Our studio grew out of Maurel Press originated in 1955 by artists Sheila and Ary Marbain. It opened as a custom screen portrait printing shop specializing in printing with contemporary artists. Sheila had studied art at Black Mountain College in North Carolina with Joseph Albers, Ilya Bolotowsky and William deKooning from 1948 through 1950. Ary had worked and exhibited as a painter in France for many years. After the sudden death of Ary Marbain in 1963, the studio was closed for a year. Sheila then decided to modernize the workshop and introduce screen photography along with a new vacuume printing table. Our studio reopened on 23rd Street in Manhattan. With an assistant, Sheila plunged silouette into printing three portrait dimensional objects. A plexiglass airship for Lichtenstein, silouette an Oldenburg soft drum set, a set of dominoes with Fahlstrom, and a large fabric banner with Marisol were some of the editions.

Then Lile got an old unix machine together (being portrait a unix systems administrator, this was fairly simple) and registered art.net with the Internic. Once the domain silouette was created, with the help of friends, she brought up art.net onto the Internet. Lile started contacting artists about the San Francisco Bay Area who might be interested in showing their works on the Internet and helped them come up on art.net. She visited many cafe''s to see the local artists works and enjoy the coffees. When she saw works she liked, she contacted the artists and offered to help them come portrait up on the Internet and the WWW via art.net. Many artists took the plunge and are now resident artists here at art.net. Artists from around the net started hearing about Art on the Net or would discover the art.net web site via the WWW.

Glazing can be either glass or acrylic. Only glass should be used with silouette any friable media such as unfixed pastels, charcoals, or graphite, never acrylic as it can damage the work by attracting these materials. There are many brands of acrylic glazing to choose from; one with an ultraviolet filter is recommended. The frame and the mat should be portrait deep enough to prevent the artwork silouette from touching the glazing. A stiff backboard behind portrait the mat protects and supports the matted artwork. It is best to use non-acidic boards. A dust seal with paper or tape is also recommended. What damage silouette results from using poor quality portrait mat board? Avoid mat boards silouette containing wood pulp which causes "matburn"--a darkening portrait of the paper under the mat or at the bevel cut of the window silouette mat. This type of stain permanently portrait weakens the paper fibers and is not silouette easily removed or lightened in conservation treatment.